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Showing posts with label Poetry Camp. Show all posts
Showing posts with label Poetry Camp. Show all posts

Wednesday, October 12, 2016

A Few Last Poetry Camp Memories

The final event of the day. The first U.S. Children's Poet Laureate Jack Prelutsky had all of us spellbound. What an amazing performer. What an amazing man. Mr. Prelutsky no longer does public presentations, so this was such a special occasion. 

He saved the best for last:

Rat for Lunchby Jack Prelutsky 
Refrain:
Rat for lunch! Rat for lunch!
Yum! Delicious! Munch munch munch!
One by one or by the bunch--
Rat, or rat, oh rat for lunch! 
Scrambled slug in salty slime
is our choice at breakfast time,
but for lunch, we say to you,
nothing but a rat will do. 
Rat for lunch! Rat for lunch!
Yum! Delicious! Munch munch munch!
One by one or by the bunch--
Rat, oh rat, oh rat for lunch! 
For our snack each afternoon,
we chew bits of baked baboon,
curried squirrel, buttered bat,
but for lunch it must be rat. 
Read the rest here.
I got to tell my Bea Cullinan story from my 2007 trip to Highlights Chautauqua workshop. I love telling about walking into her room accidentally.  It was like walking through the back of the wardrobe into a strange world. It was one of those moments when you do something so horribly stupid that the only response is to giggle like a hysterical ten-year-old! My most famous poetic faux pas.

A few more memories.
There should have been a camera!

When...

...Sylvia Tag jogged around the room at the final dinner high giving each table while singing the Rocky theme song. Da-da-daahhh, da-da-duuhh.

...the hug after dinner between Sylvia and Janet that embodied the mutual affection, respect, and accomplishment they shared at the end of this remarkable weekend. 








Monday, October 10, 2016

Poetry and Social Studies


I'm still working my way though Poetry Camp memories, more for my own benefit/journal than for yours. 

In the Friday night MakerSpace workshop led by Robyn Hood Black, we each created a found poem from 1940s seashell flashcards. There were some surprising results. My workshop partner, Carmen Bernier Grand said hers was definitely not child friendly! 


like deep water
waters
drawn on our shores
spread-out
to leave room for the strong


On Saturday I wished I could be in at least five places at once. Deciding which workshops to attend was a challenge in itself. Each of the three workshop slots hosted Poetry Friday Anthology poets conducting five different sessions. 

10:45-11:30am: Workshop Session 1 (choose one): Writing and Understanding Poetry
  1. Playing with Sound (rhyme, repetition, rhythm, alliteration & more): Susan Blackaby, Kenn Nesbitt
  2. Playing with Visuals (& unusual forms): Kathi Appelt, Joan Bransfield Graham, Bob Raczka
  3. Metaphor & Simile: Irene Latham, Liz Steinglass
  4. Verse Novels: Jeannine Atkins, Nikki Grimes, Stephanie Hemphill, Holly Thompson
  5. Poetry & Picture Books: Robyn Hood Black, Julie Larios

11:45-12:30pm Workshop Session 2 (choose one): Reading and Sharing Poetry
  1. Poetry Performance Tips (Elementary): Joy Acey, Brod Bagert, Michele Krueger
  2. Speaking for Change: Writing and Performance for  YA: Sara Holbrook, Michael Salinger
  3. Writing for Journals, Magazines and Anthologies: Bridget Magee, Janet Wong
  4. Publishing Anthologies (for children & by children): Carol-Ann Hoyte, Kenn Nesbitt, Ken Slesarik
  5. Blogging about Poetry: Jone MacCulloch, JoAnn Early Macken, Greg Pincus

2:30-3:15pm: Workshop Session 3 (choose one): Teaching Poetry
  1. Poetry + Science: Jeannine Atkins, Linda Dryfhout, Heidi Bee Roemer
  2. Poetry + Grammar: Michelle Schaub, Patricia Toht
  3. Poetry + Social Studies: Carmen T. Bernier-Grand, Doraine Bennett
  4. Poetry + Movement: Nancy Bo Flood, April Halprin Wayland
  5. Poetry + Art & Music: Cynthia Grady, Eric Ode, Lorie Ann Grover
  6. The Dancer and the Dance: Tod Marshall (current Washington State Poet Laureate)

How would you choose?


 Carmen and I taught the social studies workshop. It was really fun to work with this passionate poet!


For my teacher friends, I want to pass along the handout I used for my portion of the workshop. This version shows you my notes.



Here's the empty sheet. I can't figure out how to load a file here, so if you'd like this handout and printing the .jpg doesn't work, comment or send me an email or a message and I'll send the file to you. 


Friday, October 7, 2016

Poetry Camp

Violet Nesdoly hosts the Poetry Friday Round up today at Violet Nesdoly / poems. Meeting Violet was one of my favorite moments of Poetry Camp. I can't believe I didn't get a picture of us together!

I seriously thought I was going to post this earlier in the week. Ha! What was I thinking? I have managed to unpack (although I still haven't found my night guard mouthpiece, yipes!) I haven't washed clothes yet. I haven't grocery shopped yet. (So grateful for a patient husband and a daughter who brought shepherd's pie that lasted two nights!) I did teach five yoga classes and I think I've mostly caught up on my sleep.

First let me just say Poetry Camp was amazing. My ride from Seattle to Bellingham was with Janet Wong's husband, Glenn Schroeder and Louisiana poet, Brod Baggert. Both have lawyer backgrounds, so I stayed entertained in the back seat listening to these two. Of course, my Eastern Time Zone body was screaming three in the morning! When Brod asked who were my favorite dead poets, it took a minute to remember their names. Theodore Roethke, Christina Rosetti, Gerard Manley Hopkins. Ask me next week and I might come up with three different names.

I swiped this from Janet's Facebook page, so I have no idea who gets the photo credit.
I was both surprised and delighted when I stepped of the elevator at Western Washington University's library and Janet Wong said, "Hi, Doraine!" I mean, I knew who she was and I'd never seen her in person, but didn't really expect her to know me. Then there was the S'mores gauntlet greeting from Nancy Johnson's children's lit students.


After a tour of the library, Janet led forty poets in a discussion that ranged from performance poetry  to poetic forms and everything in between. Watching Janet's deft facilitation was as instructive as the discussion itself.

I love these two ladies, Irene Latham and Jeannine Atkins.
There was lunch with poets and the lovely connections we all made or renewed. There was a session on marketing/branding and social media. There was a session on conference proposals. There was talk about traditional and artisanal/boutique publishing. (We are deleting the "self-publishing" word from our vocabulary from here on!) Honestly, it was a bit like drinking from a fire hose.

Julie Larios led a writing workshop using Oulipo techniques for getting out of a writing rut. Basically it meant giving yourself specific constraints with the understanding that the constraints themselves force your brain to operate in a different way, letting the poem lead you. I was in a song-writing workshop earlier this summer where this same concept was the basis for creating a song.

Here's an example we actually worked on: Write a five line poem. The final vowel sound in each line must be a long a, e, i, o, and u.

How can she stay in this sun-deprived place?
She watches leaves on the elm sway in the breeze
and lifts her eyes to the graying sky,
weighing the distance she must go.
She spreads her wings and lifts toward blue. 

A fun first draft that I wouldn't otherwise have written. Maybe it will go somewhere, maybe it won't. Maybe I'll salvage a phrase or two. Who knows?

If you read my post yesterday on friends, this should have gone on that post, but that didn't happen. On the way to dinner with April Halprin Wayland and Nancy Bo Flood, I wrapped my arm through April's and said, "Help me out here. I'm feeling a bit like a fraud after sitting in the room the all those amazing poets." She just patted my arm and said, "We all have our own level of fraudulence to deal with." Maybe it never goes away, that feeling that you're just pretending to be a poet. But there's nothing for it but to keep writing.

New friends and other wonders! Nancy Bo Flood and Jone Rush MacCulloch.

Then on Saturday when the conference actually began, I stood as Janet called on the first twenty or so of us to stand and read our PFA poem. Mine lasts about ten seconds. Janet asked me to read it a second time. I was startled, but I read it again. Later a teacher came up to me and asked if I had read the "Our Blended Family" poem. "Yes," I told her. 
"Thank you so much," she said, "for writing that poem. Most of the students in my school come from blended families. I am so grateful to have a poem to read to them where they can see themselves."

I don't remember her name. I wish I hadn't been so surprised that I forgot to ask about her school. She made my day.

I told Janet and Sylvia that on Friday I felt a little like an imposter in the middle of all these rock stars. By the end of Saturday, I felt a little like a rock star, too.





 There's more, of course, but I'll save it for later.